Queen Of The Night Aria Full Opera

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Jan 07, 2011  · The Queen of the Night is one of the most famous opera roles in the history of the world. It is the ambition of every soprano to sing this intimidating role which, surprisingly, features only two arias, and one brief ensemble.

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In the 2nd act of Wolfgang Amadeus Mozart’s opera, Die Zauberflöte (The Magic Flute), the Queen of the Night descends upon her daughter’s room in her father’s palace. The Queen would like to see her husband, Sarastro, dead and demands her daughter, Pamina, be the one to do it.

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and one need only search her name on YouTube to hear the tone-deaf soprano mauling Mozart’s “Queen of the Night” — an impossibly difficult aria that demands a properly trained coloratura to navigate i.

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Roberto Alagna sings an excerpt from Samson’s Act III aria in the final dress rehearsal. Production: Darko Tresnjak. Conductor: Sir Mark Elder. 2018–19 season.

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The Queen of the Night appears and promises Tamino that Pamina will be his if he rescues her from Sarastro (Recitative and aria: "O zittre nicht, mein lieber Sohn" / Oh, tremble not, my dear son!). The Queen leaves and the ladies remove the padlock from Papageno’s mouth.

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Roberto Alagna sings an excerpt from Samson’s Act III aria in the final dress rehearsal. Production: Darko Tresnjak. Conductor: Sir Mark Elder. 2018–19 season.

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The Queen of the Night sings this aria to express her fury and longing for revenge (‘rache’). Mozart chose the key of D minor for this aria. It is a key often associated with tragedy, and prevalent in the Requiem that Mozart was writing, that would dominate his.

Her aria ‘Der Hölle Rache’, more commonly known as the Queen of the Night aria, reaches an astonishingly high, Mariah Carey-level F6 above top C. It’s an aria reserved only for the most daring sopranos, like Mozart’s sister-in-law Josepha Hofer (the original Queen of the Night) and German opera singer Diana Damrau.